

Everything adds up to more than the sum of its parts, as though the anxieties behind the music simply demanded that the band achieve catharsis by steamrolling everything in their path, including their own limitations. Even the qualities that made critics deplore the album (and the group) for years increase the overall effect - the technical simplicity of Ozzy Osbourne's vocals and Tony Iommi's lead guitar vocabulary, the spots when the lyrics sink into melodrama or awkwardness, the lack of subtlety, and the infrequent dynamic contrast. Yet Sabbath make it totally convincing, thanks to the crawling, muddled bleakness and bad-trip depression evoked so frighteningly well by their music. The subject matter is unrelentingly, obsessively dark, covering both supernatural/sci-fi horrors and the real-life traumas of death, war, nuclear annihilation, mental illness, drug hallucinations, and narcotic abuse. Where the extended, multi-sectioned songs on the debut sometimes felt like aimless jams, their counterparts on Paranoid have been given focus and direction, lending an epic drama to now-standards like "War Pigs" and "Iron Man" (which sports one of the most immediately identifiable riffs in metal history). Paranoid refined Black Sabbath's signature sound - crushingly loud, minor-key dirges loosely based on heavy blues-rock - and applied it to a newly consistent set of songs with utterly memorable riffs, most of which now rank as all-time metal classics. charts despite virtually nonexistent radio play), it also stands as one of the greatest and most influential heavy metal albums of all time. The performances include songs that span the group’s career, from the title track to its 1970 debut Black Sabbath to Spiral Architect and Sabbra Cadabra from. 'The Devil You Know' (2009) Pretty much Black Sabbath by another name, Heaven and Hell paid due (with accumulated. Paranoid was not only Black Sabbath's most popular record (it was a number one smash in the U.K., and "Paranoid" and "Iron Man" both scraped the U.S. SABOTAGE: SUPER DELUXE EDITION introduces 16 live tracks (13 of which are previously unreleased) that were recorded in 1975 during the quartet’s U.S. One slight bump: drummer Bill Ward’s last-minute exclusion from the record.
